The Olympus E-30 was bought on eBay from the United States, but it arrived with a damaged USB socket — something the seller refused to take responsibility for. After some research, I discovered that London Camera Exchange were listed as Olympus-qualified repairers, so I sent the camera to them. They repaired the USB port quickly, gave the camera a full internal clean, and returned it in excellent working order. Despite the rocky start, the E-30 became my main camera for the next two years.
Olympus E-30 – Technical Overview
The E-30, released in late 2008, sat between the semi-professional E-3 and the more consumer-focused E-520. It offered a noticeable step up in capability:
12.3-megapixel Live MOS sensor (Four Thirds format)
TruePic III+ image processor for improved colour and noise handling
In-body image stabilisation, effective with every lens
11-point AF system with twin cross-type sensors for better accuracy
5 frames per second continuous shooting
2.7-inch fully articulated HyperCrystal II LCD, ideal for low-angle and tripod work
Live View with contrast-detect AF and real-time exposure preview
Shutter speeds from 60s to 1/8000s, faster than most cameras in its class
Built-in digital art filters, including Grainy Film and Pin Hole
Dual card support (CompactFlash + xD-Picture Card)
Weather-resistant magnesium alloy body (not fully sealed like the E-3, but very solid)
The E-30 was known for its excellent colour reproduction, strong dynamic range for a Four Thirds sensor, and a robust build that made it feel like a serious photographic tool. The articulated screen was a revelation at the time, especially for macro and tripod work, and the faster shutter and improved autofocus made it far more responsive than my earlier cameras.
Although the images never felt quite as sharp as I hoped — something I only realised in hindsight — the E-30 kept me going creatively for the next two years and bridged the gap between my DSLR period and the move to mirrorless.
